• Lesmana Wayang

Pada awal kemunculannya, kesenian wayang kayu lahir dan berkembang diwilayah pesisir utara pulau Jawa pada awal abad ke-17 di mana kerajaanIslam tertua di yaitu tumbuh disana, dengan menggunakan dalam dialognya. A dalang performing wayang kulit in Java, circa 1890.The dalang is the genius behind the entire performance. It is he whosits behind the screen and narrates the story.

With a traditionalorchestra in the background to provide a resonant melody and itsconventional rhythm, the dalang modulates his voice to create suspensethus heightening the drama. Invariably, the play climaxes with thetriumph of good over evil.The figures of the wayang are also present in the paintings of that time, for example, the roof murals of the courtroom in,Bali. How to make taskbar transparent windows 7.

Lesmana Wayang

Apr 28, 2009  Ki Surwedi - Ki Suparto - Ki Sugilar - ki Suparno, bersama dalam lakon Palasara Krama di Pendapa Rumah Budaya Tembi Yogyakarta. Cerita wayang dan Psikologi di Indonesia telah mengalami modifikasi untuk disesuaikan dengan kultur dan budaya Indonesia. Khususnya masyarakat Jawa. Wayang adalah sebuah cerita kolosal yang selalu ada Tokoh dan ada Lakon. Wayang jadi hiburan sekaligus kesempatan seseorang untuk sejenak ‘keluar’ dari kenyataan.

They are still present in traditional Balinese painting today.The figures are painted, flat woodcarvings (a maximum of 5 to 15 mmthick—barely half an inch) with movable arms. The head is solidlyattached to the body. Wayang klitik can be used to perform puppet plays either during the day or at night. This type of wayang is relatively rare.Wayang today is both the most ancient and most popular form of puppettheatre in the world. Hundreds of people will stay up all night long towatch the superstar performers, dalang, who command extravagant feesand are international celebrities. Some of the most famous dalang inrecent history are Ki Nartosabdho, Ki Anom Suroto, Ki, Ki Sugino, and Ki Manteb Sudarsono. Wayang Purwa type, depicting five, from left to right:, and at the in Jakarta.Wayang kulit, or shadow puppets, are without a doubt the best knownof the Indonesian wayang.

Kulit means skin, and refers to the leatherconstruction of the puppets that are carefully chiselled with very finetools and supported with carefully shaped buffalo horn handles andcontrol rods. The stories are usually drawn from the Hindu epics the, the or from the Serat Menak, (a story about the heroism of ).There is a family of characters in Javanese wayang called;they are sometimes referred to as 'clown-servants' because theynormally are associated with the story's hero, and provide humorous andphilosophical interludes. Is the father of (oldest son), and (youngest son).

These characters did not originate in the Hindu epics, but were added later. They provide something akin to a political, dealing with gossip and contemporary affairs.The puppet figures themselves vary from place to place. In the city of (Solo) and city of are most famous and the most commonly imitated style of puppets. Regional styles of shadow puppets can also be found in, and.Bali produces more compact and naturalistic figures, and Lombok hasfigures representing real people. Often modern-world objects asbicycles, automobiles, airplanes and ships will be added for comiceffect, but for the most part the traditional puppet designs havechanged little in the last 300 years.Historically, the performance consisted of shadows cast on a cotton screen and an.Today, the source of light used in wayang performance in Java is mostoften a halogen electric light.

Some modern forms of wayang such asWayang Sandosa created in the has employed, colored lights and other innovations.The handwork involved in making a wayang kulit figure that issuitable for a performance takes several weeks, with the artists workingtogether in groups. They start from master models (typically on paper)which are traced out onto skin or parchment, providing the figures withan outline and with indications of any holes that will need to be cut(such as for the mouth or eyes). The figures are then smoothed, usuallywith a glass bottle, and primed. The structure is inspected andeventually the details are worked through. A further smoothing followsbefore individual painting, which is undertaken by yet anothercraftsman.

Finally, the movable parts (upper arms, lower arms with handsand the associated sticks for manipulation) mounted on the body, whichhas a central staff by which it is held. A crew makes up to ten figuresat a time, typically completing that number over the course of a week.However, unfortunately there is not strong continuing demand for the topskills of wayang craftspersons and the relatively few experts stillskilled at the art sometimes find it difficult to earn a satisfactoryincome.The painting of less expensive puppets is handled expediently with aspray technique, using templates, and with a different person handlingeach color.

Less expensive puppets, often sold to children duringperformances, are sometimes made on cardboard instead of leather.Interviewees: google.

Once there was a king of evil from the kingdom of Iman Imantaka whose name is Niwata Kawaca.He was apowerful and cruel king who had conquered many kingdoms. Theinvincible king then had another ambition. He wanted to marry abeautiful angel from the heaven of god whose name is Dewi Supraba.He cameto god Indra to propose for the beautiful angel. But the god refused.He thought that the king was not a good husband for the angel. Theking was so angry that he decided to attack Kingdom of god Indra. Thearmy of Niwata Kawaca proved to be very strong.

The army of god waseasily defeated. Luckily the god managed to close the gate. MeanwhileKing Niwata Kawaca realized that there was a hero who could be athreat to his power. That's why he decided to eliminate the potentialthreat.He senta monster that could change himself into a wild boar. His name wasMomong Murka. Momong Murka came to the village where Arjuna was doingascetics. As he got there soon he changed himself into a giant wildbore and destroyed the village.Arjunadid not let him do further damage so he fought back.

The wild boar wasso strong that he was forced to use his new weapon. He attacked thewild boar with an arrow and it was killed instantly.

But as he camecloser to take a look at it he was very surprised to see another herostood by it arrogantly. 'Arjuna,you are truly a hero. You have reached a highest level ofspirituality.

That's why I give you a special arrow called Pasopati. Itwas special because it had extraordinary spiritual power. No one couldresist it. Be careful'Not long after that Syiwa disappeared like smoke.

Arjuna was then a verypowerful hero. Just as he was about to go home to Indraprasta, anemissary from Indra came to see him. He asked Arjuna to help Indra fightKing Niwata Kawaca. Arjuna agreed to help because he realized that itwas his duty as a hero to protect anyone who needs his help. In theheaven of god Indra, a discussion was held to overcome the threat ofKing Niwata Kawaca.

Indra told Arjuna that Niwata Kawaca wasunbeatable. He was very strong and he could resist any kinds of weapon,even the most lethal ones. His victims were countless. So they had tofind out a strategy. Arjuna decided to find out the secret of hisweakness.

He ordered Supraba, the most beautiful angel, to surrender toKing Niwata Kawaca. But it is only a trick to search for his weakness.Arjuna would protect her from a distant. He had a spiritual mysticalpower that could make him invisible.